Blue Microphones Yeti Microphone

Blue Microphones Yeti Pro USB Microphone

If you are looking for a high quality USB mic, look no further! The Blue Microphones Yeti Pro USB Microphone is the world's first USB microphone combining 24 bit/192 kHz digital recording resolution with analog XLR output. With three custom condenser capsules and four different pattern settings, the Yeti Pro microphone can capture digital audio with up to four times the clarity found on CDs. Plus, the Blue Yeti Pro mic features a cutting-edge A-D converter chip and separate analog circuit path for use with professional studio mixers and preamps. A headphone amplifier is built-in for zero-latency monitoring, and direct controls for headphone volume, pattern selection, mute, and microphone gain. So whether you record at home or in a studio, the Blue Yeti Pro USB mic is your ultimate sound solution. Blue Microphones Yeti Pro USB Microphone Features Proprietary Tri-Capsule Array: 3 Premium, 14mm tuned Condenser Capsules  Mic Gain Control  4 Polar Patter Selector: Stereo, Cardioid, Omni, Bidirectional  Mute Button  Master Volume  Stereo XLR analog Output  USB Output (up to 192 kHz sampling)  Standard Threaded Mic Stand Mount  Zero Latency Headphone Output with Amplifier and Volume Control  Custom Base with Cable Management  Includes USB Cable and Stereo XLR Breakout Cable The Blue Yeti Pro USB mic has plug and play simplicity with professional features and tools that eliminate the need for multiple mics, the Blue Yeti Pro has you covered! You can quickly select from each of Blue Yeti Pro's four pattern settings (stereo, cardioid, omnidirectional, bidirectional) by simply rotating the pattern selector knob. This gives the Blue Yeti Pro USB mic great flexibility, perfect for almost any recording situation. Stereo The Stereo mode is great for capturing a realistic stereo image. To start, point the microphone at the sound source that you want to record (the front of the microphone is the side of the microphone with the Blue Microphones Logo). Depending on the instrument and/or sound that you want to achieve, place the grill of the microphone anywhere from 2 inches to several feet in front of the sound source. By centering the sound source, you will get equal amounts of signal in both the left and right channels. If you want a little more of the signal in the right channel, move the sound source a little to the right side of the mic (as if one is behind the microphone), and if you want a little more of the signal in the left channel, move the sound source to the left (as if you are behind the microphone). Alternatively, you can record everything as centered as possible, and easily adjust the position when you're mixing the recording. If you want the sound in the right or left channel only, you should try using the cardioid, bidirectional or the omnidirectional setting, and use your software to hard-pan the sound to the left or the right. Cardioid Cardioid is the most commonly used mode and can be useful in most any situation. If