Music

Contemporary Blues

Personnel: Sue Foley (vocals, acoustic, electric & nylon-string guitars); Colin Linden (acoustic, electric, baritone & high-string guitars, acoustic & electric dobros); Joe Cabral (saxophone); Mark Mullins (trumpet); Richard Bell (piano, organ); Ken Pearson (piano); Terry Wilkins (acoustic bass); Richard Price (bass); Bryan Owings (drums); Miche Pouliot (percussion); Lucinda Williams (background vocals); Ethan Allen.Personnel: Sue Foley (vocals, acoustic guitar, electric guitar); Colin Linden (baritone guitar); Joe Cabral (saxophone); Mark Mullins (trombone); Richard Bell (organ); Michel Pouliot (drums, percussion). Audio Mixer: Colin Linden.Recording information: The Bathouse.Sue Foley just keeps getting better. On her sixth album, the singer/songwriter and guitarist turns in a diverse... Less

Personnel includes: Candye Kane, Big Sandy & His Fly Rite Boys, Toni Price, Ted Roddy, B.E. "Frosty" Smith, Erik Hokkanen, Mark "Kaz" Kazanoff, Danny Barnes. Producers: Dave Alvin, Derek O'Brien, Candye Kane.All tracks have been digitally mastered using HDCD technology. Former sex industry worker Candye Kane's third album is her breakthrough, the record where she finally perfected her blend of jump blues, rockabilly, and big-band swing, combined with her brassy, gleefully omnisexual persona and big-as-life voice. Besides the obvious personal anthems like "You Need a Great Big Woman," "Gifted in the Ways of Love," and, of course, "All You Can Eat (And You Can Eat It All Night Long)," Kane does more than credible versions of classics ranging from "I Got a Feelin'" to a Cajun-ized version of... Less

Katie Webster And Silent Partners: Katie Webster (vocals, piano, organ); Andrew Jones (guitar); Russell Jackson (bass); Tony Coleman (drums). Additional personnel includes: Boonie Raitt (vocals, guitar); Kim Wilson (vocals, harmonica); Anson Funderburgh, Robert Cray (guitar); Joe Sublett (saxophones).The Paladins: Dave Gonzales (guitar); Thomas Yearsley (bass); Scott Campbell (drums). Producers: Ice Cube Slim, Kim Wilson, Bruce Iglauer. Engineers include: Jay Shilliday, David Axelbaum, Stuart Sullivan. Recorded at Streeterville Studios, Chicago, Illinois and Arlyn Studios, Austin, Texas. Includes liner notes by Robert Palmer, Bruce Iglauer and Ice Cube Slim.Lovable Katie Webster had some high-profile help for this impressive comeback album -- Bonnie Raitt shares the vocal on "Somebody's... Less

Personnel includes: Little Jimmy King (guitar, vocals), Ron Levy (organ), Tommy Shannon (bass), Chris Layton (drums).Little Jimmy King's second Bullseye/Rounder session matches the slashing guitarist with the rhythm section that once backed Stevie Ray Vaughan. King soars on these 11 cuts; while he lacks Vaughan's speed and is more a straight blues technician, he plays with more imagination and drive than on his debut. He contributes six originals and does a competent job of reworking material by Elmore James, Albert King, and even Phil Collins. While there's nothing here startling or surprising, King effectively teams with Chris Layton and Tommy Shannon, and producer/organist Ron Levy crafts an entertaining program of contemporary blues-rock with vintage sensibilities and overtones. ~... Less

2 LPs on 1 CD: HALLELUJAH (1968)/COOK BOOK (1969).Contains 21 tracks.Canned Heat: Bob "The Bear" Hite (vocals), Al Wilson (guitar, harmonica); "Blind Owl" Wilson, Henry Vestine (guitar); Larry Taylor (bass); Bob Cook (drums).Liner Note Authors: Skip Taylor; John Tobler. Illustrators: Dean Torrence; David Willardson; Ron Wolin. Photographers: Guy Webster; Jay Jones .Though there was no specific hit on Hallelujah, this album contains Canned Heat's fully developed blues chops and a slightly newfound political edge. Of special note is "Sic 'Em Pigs," an entertaining anti-police anthem, featuring drummer Fito de la Parra, Alan Wilson, and Henry Vestine making pig noises. Canned Heat Cookbook was the first greatest-hits compilation from the band, released originally in 1970, and contains the... Less

Personnel includes: Debbie Davies (vocals, guitar); Tommy Shannon (bass); Chris Layton (drums). Personnel: Debbie Davies (vocals, guitar); David Brown (trumpet); Anthony Geraci (piano); Jeremy Baum (organ); Chris Layton (drums).Audio Mixer: John Anthony. Recording information: Hit Shack, Austin, TX; Loft Bronxville, NY. Photographers: Debbie Davies; Marcus Accord.For Tales from the Austin Motel, Debbie Davies temporarily ditched her touring band and teamed up with drummer Chris Layton and bassist Tommy Shannon, better known as the rhythm section of Stevie Ray Vaughan's legendary supporting group, Double Trouble. The intention was to craft a tribute album to their influences and collegues -- namely, the Texas blues giants Albert Collins, Stevie Ray Vaughan. The trio tackles a number of... Less

Music CD

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When Elvin Bishop left the Butterfield Blues Band in 1968 and moved to California, he added the one ingredient missing from San Francisco's bubbling musical cauldron - nasty, down-home, electrified blues. The Elvin Bishop Group's self-titled debut from 1969, their 1970 sophomore effort Feel It! and their third longplayer, 1972's Rock My Soul, are just what Doctor Feelgood ordered from the guitar whiz who'd cut his teeth jamming with Chicago legends Muddy Waters, Howlin' Wolf and Little Walter. Includes two live bonus tracks from the album Last Days Of The Fillmore, 'So Fine' & 'Party Till The Cows Come Home'. Sundazed. 2002.

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This is one of the best efforts of John Hammond's career. It features the old blues numbers that have been a staple of Hammond's work, but with a slippery, playful funkiness that was never there before. Hammond has always had a strong voice, and the music flows out of him more naturally and appealingly than ever before. In fact, he sounds so at ease that he falls right in with Charles Brown on the two numbers where Mr. "Drifting Blues" himself plays piano. Little Charlie & the Nightcats back up Hammond on seven of the album's dozen tracks. They introduce an easy-going swing to numbers by Little Walter, Johnny "Guitar" Watson and Howlin' Wolf that allows Hammond to give these old songs a new spin and make them his own. --Geoffrey Himes

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After decades as a bluesman, Taj Mahal has earned his place in the pantheon of American music. But this takes him to a slightly different place: Hawaii, where he made his home for a number of years. He's always had a relaxed approach to music, and the Islands must have been a perfect fit for him. But Mahal has also had a long interest in the music of the Caribbean, so it's interesting to hear him adapt Toots's ska classic, "Monkey Man," to his style, on the tropically flavored "Coconut Man." Whatever he tackles, however, the blues is at the basis of everything he does; it's part of his soul now. But there are, as he shows, as many ways to approach the blues as there are bluesmen. His experience and innovation have made Mahal one of the great second (or possibly third) generation blues... Less

Release Date: 1999-03-23, Audio CD, RCA

No Description Available.Genre: Blues MusicMedia Format: Compact DiskRating: Release Date: 29-MAR-1994

13 tracks.

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Release Date: 1999-03-09, Audio CD, Virgin Records Us

Release Date: 1992-06-29, Audio CD, Virgin Records Us

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Martin Scorsese Presents The Blues: Keb' Mo'This title is manufactured "on demand" when ordered from Amazon.com, using recordable media as authorized by the rights holder. Powered by CreateSpace, this on-demand program makes thousands of titles available that were previously unavailable. For reissued products, packaging may differ from original artwork. Amazon.com’s standard return policy will apply.

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